Shaping the City
12.8.11
Project Proposals
Irina Anufrieva
MatsushimaWash it out
Performance, ca 20 min.Tribute to women who were once in pain and were alone at that time
Chia Chu Yia
A thread of red between us
Andres Diaz Garcia
The Foreigner’s Guide to Becoming a Better Swede
I aim to make a series of pseudo-educational short lessons on "How to become Swedish" taught by Swedes and residents of Sweden I've met on my trip to Mariestad. I'm conducting short filming sessions where the individual attempts to teach me, or at least to get me to learn, how to do/act/say/experience/become something they perceive to be quintessentially Swedish. These will be 2-5 minute video shorts. For the exhibition these will be on a single channel loop. Eventually they might live on the internet, probably on Vimeo, possibly on Youtube.Anna Gvozdareva
Art is the process and result of making your own ideas and visions into something material, that other people can consider in the way you want them to. I am a creator of my own life and life around me. I am not going to change other people but I can show them my own point of view and the way of how I live and understand the world. I came to Mariestad to get new professional and social experiences. I got a strong idea of making a big painting on the wall and so I joined the mural project. My painting shows an image of a girl that is sleeping who is about to wake up. It says below: Wake Up. That means that the most us live the way we are used to not considering about it. People are not used to taking responsibility for everything that is happening in their lives, so they don’t control it and don’t change it. Like as in a dream. This picture is telling them about it and asks the viewer to wake up. All the rest is up to the viewer.Stephanie Jane Halmos and Kajsa Nylander
X Marks the Spot
Johan Jandgren
Alexey Mandych
Dancing Star
My project is part of the mural project for the wall, which was given to us by the city. I have always wanted to work in public space and wanted to create a dialogue with people passing by the wall. My section will look like place for an engineering draft with some words in it about necessary chaos inside oneself. It will also give permission for others to draw over the painting. My intention is to create space free of restrictions, borders and bureaucracy, and to challenge people to dare to draw over, to imply this chaos on the wall. And I want to use permission we have to draw on the wall and to share it with citizens - to create an oasis of chaos and self-expression.Magda Mortner
Since coming to Mariestad, I have come to believe that it is impossible for me to feel like I am a part of the local community because of difference in language, culture, or perhaps because I am not here long enough. I would like to use my section of wall to physically insert myself into the landscape and in doing so take partial ownership of the city. I am interested in how the space will affect my painting and how in turn my presence will affect the space after I leave Mariestad. I would also like to paint a figure that can interact with the city and the people. The mural is located in a central intersection in the city that sees a lot of traffic - cars, trains, and people. My portrait will look out from the mural and will hopefully become one of the regular faces people pass on their way into town.Helene Schlumberger
Meghan Urback
My interest in researching textile craft in Västra Götaland led me to visit one of the few remaining wool spinning factories in Sweden, a large regional craft fair, the office of a handcraft consultant, the studio and home of a textile artist, and two historical museums. Along the way I have collected a few craft items and local supplies for making work. I will present a small collection my own craft works, in the form of an altered table set - one table and four chairs. The table will display a map and history detailing my travels and research in the region.Nathalie Winberg
19.7.11
July 15 & 16
JULY, 16
July 15
July 14
July 11 & 12
July 11 & 12
Project Development & Individual Meeting Days. Students worked independently on their projects and met with Amanda to discuss their project concepts and plan.July 10
We had a pleasant journey with a good chat in the rented car.
Back in Mariestad, Irina was making her performance in front of City Art Lab, a few of the fellow students were there to help guard. She was powdered in white, laying on the ground under the hot sun. Her face was covered with black fabric with a big black rose. She looked beautiful yet fragile and vulnerable to me. I was was worried by seeing such an image, a body on the ground, non protected.
At 18:00, Mason Nye started his perspective lecture and shared with us his commercial mural projects, from thematic to decorative, from public space to private property that he had done in the States. Mason's work was very impressive. Following Mason's talk, we had five student presentations. We started with Vita, Stephanie, Anders, Simone and Alex.
It was very nice and interesting to see the different types of presentations and the different focus of everyone's work.
July 8
For my project I am working on the mural. Despite the rain, it is coming along well!
Magda Mortner
July 7
7 July 2011
After several days of long hours spent sitting in conference rooms and the dim light necessary for projected presentations, it was a welcome break to see some blue sky for a few hours. The day was spent piling on and off a gigantic tour bus, which the driver expertly maneuvered down one-lane forest roads. Here are a few historical tidbits from our visits in the area south of Mariestad:
We were given a tour around the still active Forshem church by one of its caretakers, a woman proud to announce that it was one of the only churches in Northern Europe that was dedicated to the Holy Sepulchre of Christ in Jerusalem. Four twelfth-century stone carvings adorn each outer wall of the church, and wooden beams with eleventh-century Nordic carvings can be found on the inside.
Kinnekulle is a UNESCO biosphere area on Lake Vanern, one of approximately 500 biospheres worldwide. The geological landscape is composed of layers of limestone, sandstone, shale, clay and a hard volcanic top. Limestone was mined in a nearby quarry and carved in a stone masonry that was active from the 1880s to the mid 1900s. The masonry has been left largely untouched since it was in active operation, and handmade iron tools still hang next to the forge. A small railway was built to dump stone scraps into the lake, and at lunch we clambered about on the stone pilings and found a patch of wild strawberries on the path to the bus.
Our guide pointed out shoots of wild garlic and the site of an old hotel, the deck of which is still visible, in the Meadow of the Monks, which has been a nature reserve since 1923.
The day ended with two presentations detailing the local perspective on living in Mariestad.
Meghan Urback
July 6
JULY 6, 2011
The day began with a reading discussion of Part One of our reader. We divided into groups and prepared presentations for three main readings by Doreen Massey, Trevor Paglen and Miwon Kwon. I had eagerly awaited the visit from the Mariestad skateboarding club, who were to hold a presentation at the City Art Lab this evening. It turned out, though – to my mild disappointment – that the lecture was to be given not by the young skaters themselves, but by Gunnar (an ex-skater) from the Mariestad branch of Gothenburg University. The thing is, since I came to Mariestad I've been almost obsessed by skate culture. All of a sudden I feel like a twelve-year-old, watching the older kids practice ollies and boardslides at the local skate hangout. "They're so cool!"
Is this only due to my general obsession with teenage culture? I absolutely loved the whole emo wave (and not just because of its androgynous ideals of beauty), and the more the distance grows between myself and my teen years, the more I seem to admire those young people, their extroverted behavior and style of dress, their pure emotions, their energy. Anyway, I was glad to see Jimi, 18, and his skater friends in the audience at the Art Lab, and the little Q&A with them at the end was pure gold: this is a type of voice that is rarely heard in the context of publicly sponsored art projects.
Johan Landgren
16.7.11
July 5
July 4
July 4, 2011
We met at the Mariestad Library and had a brief introduction to the history of the building and the library’s current activities. We were shown the city’s impressive image archive and map collection. Some students got library cards and began their research. Students who were interested in the mural project met with artist Sophy Naess. They visited the wall, met with Carolina Falkholt and had a skype call with Mason Nye, the project leader, at his home in NYC. That evening, CityArtLab had its opening exhibition. A huge crowd of people came for the event, which focused on last summer’s successful Graffiti Project led by artist Carolina Falkholt. Irina Anufrieva, a Shaping the City participant, did an arresting performance in the exhibition space. Linda Svensson, the culture secretary of Mariestad, donated her car to be covered in graffiti by exhibition visitors. Students and residents young and old contributed to the spray-fest, transforming her car. The event, and her car, were featured prominently in the newspaper the next day!
July 3
July 3, 2011
After spending almost 48 consecutive hours together, it was enlightening to sit down and learn about the work everyone was making and why they came to Mariestad. We sat in a circular shape in the upstairs kitchen of the building most of us are living in and listened to each others interests, which felt like an official start to our stay. People come from a variety of backgrounds, so it will be interesting to see what is produced.
Simone Bailey












